Data is beautiful

We’ve been working on some interesting stuff recently with the team over at and a lot of the work includes visualising the Internet of Things amongst other things. This work has lead us to re-discover data art and the amazing artwork that can be produced using data.
Big data is a big deal, but it means nothing if no one can make sense of it. But some people are making amazing art out of extrapolating data.

Many artists use as material for art the raw data produced by our societies, seeking innovative means of display or transforming it into a work of art. By blurring boundaries between art and information, data art dispels the myth of the romantic artist while offering a fundamental artistic act in a critical commentary of the digital age in which we live.

There is a magic in graphs. The profile of a curve reveals in a flash a whole situation — the life history of an epidemic, a panic, or an era of prosperity. The curve informs the mind, awakens the imagination, convinces. – Henry D Hubbard

Here’s a few beautiful examples

Wind of Boston

Each of the four chapters focuses on one distinct characteristic of the Wind of Boston. The first chapter, Hidden Landscapes highlights the anemometer’s most radical readings to create immaterial, spatial experiences. Porcelain Memories recalls the intangible power of a gale when reimagined outside of the traditional constraints of time. Sea Breeze explores the paradox of soft gentle wind blowing from the sea to the site in the harsh cold of winter. Gust in the City is a top-view visualization that explores the phenomenon of high speed winds in short bursts and the constant unseen poetic dance between the forces of nature and the built environment.

The visualizations are custom programmed and precisely calibrated to the technical specifications of the seamless, high-resolution LED screen to create spectacular depth, rich contrast, and poetic movement within the digital canvas.

Visible daily from 8AM to 11PM from both interior and exterior, the artwork is located in the lobby of 100 Northern Avenue at Fan Pier. Commissioned by The Fallon Company to compliment the architectural design by HOK, it is the latest addition to the public art landscape of the Seaport District, also home to the Institute for Contemporary Art, Boston.

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